El sueño del gran árbol y los objetos improbables l The Dream of the Grand Tree and the Improbable Objects at GE Galeria in Mexico. 2018. Download Curatorial Text in Spanish
Curated by Paco Barragan.

Based in New York, Erika Harrsch returns to Mexico City with her solo show at GE Galería consisting of a series of poignant sculptures and painting-sculptures conceived during the last year. Erika Harrsch: The Dream of the Grand Tree and the Improbable Objects hails the spectator into the wood of tree-sculptures and the dream of improbable objects that either maintain themselves with their feet proud on the ground or just a moment later decide to climb the walls undauntedly. Imbued with fine irony and humor, both the floor and the wall assemblages express atypical forms and astonishing materials like sea rocks, plastic, vinyl, steal and wood that have been assembled meticulously revealing a visually rich vocabulary that takes its inspiration among others from Courbet, Duchamp and the surrealists. These three-dimensional compositions have what Heidegger referred to as unheimlich, as something close to estrangement and the idea of being out of time or suspended in time due to the staging of a series of binary associations that, on occasions, touch on the uncomfortable: masculine-feminine, intimate-voyeuristic, organic-inorganic, seductive-penetrating, fluid-solid, hard-soft and rooted-floating. All these elements that at first sight seem disconnected allow Erika Harrsch to express a multifaceted, enigmatic and, at times, surrealistic artistic practice that keenly reflects the very contemporary tension between the need for a place and the idea of feeling out of place which haunts all of us in a more and more restless and volatile world. - Paco Barragan -

With these improbable objects, Harrsch captures with intelligence and provocation the destiny of the contemporary subject in a ­­­world more and more fragmented while at the same time she renovates in an original manner the sculptural language. - Paco Barragán -

In these suspended sculptures I engage the viewer by staging a set of juxtapositions: masculine-feminine, intimate-voyeuristic, seductive-penetrating, organic-inorganic, soft-hard, rooted-migrant, earthbound-flying… These compositions of apparently unconnected elements enable me to elaborate visually in an enigmatic and at times surrealistic manner the permanent tension between the need for a place and the idea of feeling out of place so common among many of us in today´s society. - Erika Harrsch -

The grand tree or the three ex-lovers

Erika Harrsch 2018. Avocado tree, surveillance camera case, pine wood, jacaranda wood, hand-painted mdf, lacquered mdf, faux-leather, vynil, archival print on paper, stainless steel hooks with plastic, ribbon, sea rock and necklace. 100 x 120 x 190 h cm / 39.4 x 47.2 x 75 h in.

The grand tree or the eternal bride

Erika Harrsch 2018. Avocado tree, pine wood, jacaranda wood, hand-painted mdf, lacquered mdf, faux-leather, vynil, archival print on paper, ribbon, laquered silk and plastic flowers. 120 x 140 x 210 h cm / 47.2 x 55 x 83 h in.

Extrayendo la piedra de la locura

Erika Harrsch 2018. Ensamble tridimensional y pintura sobre madera; acrílico sobre MDF, collage de impresión de pigmento sobre papel, tubo de acrílico, plumas y pelo de conejo. remaches de aluminio, formas de silicón, cordón de algodón, piedra de mar, cable de acero recubierto de plástico. 135 x 135 x 245 cm

The Dream of the Grand Tree and the Improbable Objests